{"id":80,"date":"2021-04-14T08:53:13","date_gmt":"2021-04-14T08:53:13","guid":{"rendered":"https:\/\/yvesregenass.ch\/?post_type=projekte&#038;p=80"},"modified":"2024-02-27T21:26:09","modified_gmt":"2024-02-27T21:26:09","slug":"virtueller-raum-als-schutzzone","status":"publish","type":"projekte","link":"https:\/\/yvesregenass.ch\/en\/projekte\/virtueller-raum-als-schutzzone\/","title":{"rendered":"Regenass, Yves: Virtual Space as a Protection Zone"},"content":{"rendered":"<div class=\"gb-container gb-container-b763f602\"><div class=\"gb-inside-container\">\n\n<h2 class=\"wp-block-heading has-text-align-center\">Published in 2020 in <br>Pfost, Haiko\/ Renfordt, Wilma\/Schreiber, Falk <br>for the NRW KULTURsekretariat: <br>Learning from the lockdown? <br>Reflections on Independent Theatre, <br>Alexander Verlag, Berlin.<\/h2>\n\n<\/div><\/div>\n\n<div class=\"gb-container gb-container-86cdd074\"><div class=\"gb-inside-container\">\n<div class=\"gb-grid-wrapper gb-grid-wrapper-5df11049\">\n<div class=\"gb-grid-column gb-grid-column-b4e66f4a\"><div class=\"gb-container gb-container-b4e66f4a\"><div class=\"gb-inside-container\">\n\n<h3 class=\"wp-block-heading\"><\/h3>\n\n\n\n<p><\/p>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-9fb5076e\"><div class=\"gb-container gb-container-9fb5076e\"><div class=\"gb-inside-container\">\n\n<p>At the end of March 2020, the theaters were closed for several months. On the one hand, the lockdown of cultural life revealed problems that were already known or could have been known about. On the other hand, it also raised awareness of the uniqueness of theater as an art of gathering and encounter, provoking solidarity and unexpected solutions. And now? How do we want to continue after the crisis? Can we learn from these experiences?<\/p>\n\n\n\n<p>The publication brings together contributions from independent theater artists and cultural politicians about their insights, ideas and demands gained from the Corona crisis. The topics range from funding policy and social security to the fundamental right to artistic freedom and digitality to the vulnerability of the body in the theater space.<\/p>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-dfe6fe87\"><div class=\"gb-container gb-container-dfe6fe87\"><div class=\"gb-inside-container\">\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"646\" height=\"1024\" src=\"https:\/\/yvesregenass.ch\/wp-content\/uploads\/2021\/04\/9783895815362xxl-646x1024.jpg\" alt=\"\" class=\"wp-image-87\" srcset=\"https:\/\/yvesregenass.ch\/wp-content\/uploads\/2021\/04\/9783895815362xxl-646x1024.jpg 646w, https:\/\/yvesregenass.ch\/wp-content\/uploads\/2021\/04\/9783895815362xxl-189x300.jpg 189w, https:\/\/yvesregenass.ch\/wp-content\/uploads\/2021\/04\/9783895815362xxl-768x1217.jpg 768w, https:\/\/yvesregenass.ch\/wp-content\/uploads\/2021\/04\/9783895815362xxl.jpg 800w\" sizes=\"auto, (max-width: 646px) 100vw, 646px\" \/><\/figure>\n\n<\/div><\/div><\/div>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Published in 2020 in<br \/>\nLearning from the lockdown?<br \/>\nReflections on Independent Theater<br \/>\nAlexander Verlag, Berlin<\/p>","protected":false},"template":"","categories":[16,14,6],"class_list":["post-80","projekte","type-projekte","status-publish","hentry","category-essay","category-publikation","category-etc"],"_links":{"self":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/projekte\/80","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/projekte"}],"about":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/types\/projekte"}],"wp:attachment":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/media?parent=80"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/categories?post=80"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}