{"id":77,"date":"2021-04-14T08:39:55","date_gmt":"2021-04-14T08:39:55","guid":{"rendered":"https:\/\/yvesregenass.ch\/?post_type=projekte&#038;p=77"},"modified":"2024-02-27T21:36:08","modified_gmt":"2024-02-27T21:36:08","slug":"die-zukunft-des-theaters","status":"publish","type":"projekte","link":"https:\/\/yvesregenass.ch\/en\/projekte\/die-zukunft-des-theaters\/","title":{"rendered":"The Future of Theater"},"content":{"rendered":"<div class=\"gb-container gb-container-d1132396\"><div class=\"gb-inside-container\">\n\n<h2 class=\"wp-block-heading has-text-align-center\">An email conversation from machina eX <br>(here Yves Regenass, Laura Alisa Sch\u00e4ffer and Jan Philip Steimel) <br>about object theater, cultural hybrids <br>and audience empowerment<\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><br>Published in 2012 in <br>Esch, Christian\/von Hartz, Matthias\/Stromberg, Tom (eds.): <br>There is another way. <br>Theater Festival Impulse 2007 to 2011, <br>Verlag Theater der Zeit, Berlin <\/h2>\n\n<\/div><\/div>\n\n<div class=\"gb-container gb-container-9a22d234\"><div class=\"gb-inside-container\">\n<div class=\"gb-grid-wrapper gb-grid-wrapper-46ed0640\">\n<div class=\"gb-grid-column gb-grid-column-a891f981\"><div class=\"gb-container gb-container-a891f981\"><div class=\"gb-inside-container\">\n\n<h3 class=\"wp-block-heading\"><\/h3>\n\n\n\n<p><\/p>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-2658e4c9\"><div class=\"gb-container gb-container-2658e4c9\"><div class=\"gb-inside-container\">\n\n<p>What&#039;s new on stages beyond the city theater system? This volume looks back at the three festivals that took place in 2007, 2009 and 2011 under the artistic direction of Matthias von Hartz and Tom Stromberg, presents photo series of special performance moments and, above all, gives the participating artists, journalists and theater makers a chance to speak. They describe their very own view of the festival and give an outlook on what&#039;s to come.<\/p>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-8c0863af\"><div class=\"gb-container gb-container-8c0863af\"><div class=\"gb-inside-container\">\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"558\" height=\"648\" src=\"https:\/\/yvesregenass.ch\/wp-content\/uploads\/2021\/04\/media_22635490.jpeg\" alt=\"\" class=\"wp-image-85\" srcset=\"https:\/\/yvesregenass.ch\/wp-content\/uploads\/2021\/04\/media_22635490.jpeg 558w, https:\/\/yvesregenass.ch\/wp-content\/uploads\/2021\/04\/media_22635490-258x300.jpeg 258w\" sizes=\"auto, (max-width: 558px) 100vw, 558px\" \/><\/figure>\n\n<\/div><\/div><\/div>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>An email conversation from machina eX<br \/>\nabout object theater, cultural hybrids<br \/>\nand audience empowerment<\/p>\n<p>Published in 2012 in<br \/>\nThere is another way<br \/>\nTheater Festival Impulse 2007 to 2011<br \/>\nVerlag Theater der Zeit, Berlin<\/p>","protected":false},"template":"","categories":[17,14,6],"class_list":["post-77","projekte","type-projekte","status-publish","hentry","category-artikel","category-publikation","category-etc"],"_links":{"self":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/projekte\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/projekte"}],"about":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/types\/projekte"}],"wp:attachment":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/media?parent=77"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/categories?post=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}