{"id":52,"date":"2021-03-23T09:26:12","date_gmt":"2021-03-23T09:26:12","guid":{"rendered":"https:\/\/yvesregenass.ch\/?post_type=projekte&#038;p=52"},"modified":"2024-03-13T08:30:42","modified_gmt":"2024-03-13T08:30:42","slug":"sign-here","status":"publish","type":"projekte","link":"https:\/\/yvesregenass.ch\/en\/projekte\/sign-here\/","title":{"rendered":"Sign here"},"content":{"rendered":"<div class=\"gb-container gb-container-b8e0aca7\"><div class=\"gb-inside-container\">\n\n<h2 class=\"wp-block-heading has-text-align-center\">by machina eX <br>in co-production <br>with the Schauspiel Essen<\/h2>\n\n<\/div><\/div>\n\n<div class=\"gb-container gb-container-8ade5418\"><div class=\"gb-inside-container\">\n<div class=\"gb-grid-wrapper gb-grid-wrapper-4eec5988\">\n<div class=\"gb-grid-column gb-grid-column-f6bed9c5\"><div class=\"gb-container gb-container-f6bed9c5\"><div class=\"gb-inside-container\">\n\n<h3 class=\"wp-block-heading\">performance<\/h3>\n\n\n\n<p>Lea Beie,<br>Anne Eigner,<br>David Simon,<br>Martin Schnippa<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">concept and game design<\/h3>\n\n\n\n<p>machina eX<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">director<\/h3>\n\n\n\n<p>Yves Regenass<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">text<\/h3>\n\n\n\n<p>Clara Ehrenwerth<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">scenography<\/h3>\n\n\n\n<p>Barbara Lenarzt<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Technical management and programming<\/h3>\n\n\n\n<p>Lasse Marburg<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">sound design and dramaturgy<\/h3>\n\n\n\n<p>Mathias Prinz<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">electronics<\/h3>\n\n\n\n<p>Sebastian Arnd,<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">interaction design<\/h3>\n\n\n\n<p>Benedikt Kaffai<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">costumes<\/h3>\n\n\n\n<p>Johanna Denzel<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">production management<\/h3>\n\n\n\n<p>Sina Kie\u00dfling<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">assistant director<\/h3>\n\n\n\n<p>Felicia Daniel,<br>Paula Emmrich<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">stage and costume assistant<\/h3>\n\n\n\n<p>Anne Koltermann<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">photos<\/h3>\n\n\n\n<p>Albi Fouch\u00e9<\/p>\n\n<\/div><\/div><\/div>\n\n<div class=\"gb-grid-column gb-grid-column-59bba44b\"><div class=\"gb-container gb-container-59bba44b\"><div class=\"gb-inside-container\">\n\n<p>SIGN HERE sends the audience into the authorities. There, omnivorous paper tigers roam through lead deserts, while the red tape creeps up the walls and the mountains of files grow and flourish. In this thicket, decrees, orders and notices rule. They determine how you live, how you work, how you are allowed to live. Their instrument is writing - and only writing can they be confronted. The resolute staff are merely agents and prove to be less of a signpost than a danger on the winding paths.<\/p>\n\n\n\n<p>In a bureaucracy simulation full of incomprehensible signs, in which everything is recognizable but nothing is familiar, the audience becomes a player and fights against regulations, paragraphs and declarations of special needs. Which strategy leads to success? Subservience, complaint, limitless patience? And what happens to those who cannot find their way in the world of regulations? &quot;Sign Here&quot; asks about the (game) rules and hurdles in a system that claims neutrality and yet is far from treating everyone fairly.<\/p>\n\n\n\n<p>The initial idea for machina eX&#039;s latest theater game was the Essen theater&#039;s desire to address illiteracy. Those affected experience the inability to read as a stigma that must be hidden and is therefore often taboo. machina eX approaches this topic in a playful and sensual way.<\/p>\n\n\n\n<p><strong>Supported by the Brost Foundation<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"23\"><div id=\"n2-ss-23-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-23\" data-creator=\"Smart Slider 3\" data-responsive=\"fullwidth\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition\"><div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n            <div class=\"n2-ss-slider-2 n2-ow\">\n                                                <div class=\"n2-ss-slider-3 n2-ow\">\n\n                    <div class=\"n2-ss-slide-backgrounds n2-ow-all\"><div class=\"n2-ss-slide-background\" 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class=\"gb-grid-column gb-grid-column-ce133c45\"><div class=\"gb-container gb-container-ce133c45\"><div class=\"gb-inside-container\">\n\n<h3 class=\"wp-block-heading\">28.9-13.10. \/ November 14-24, 2019<\/h3>\n\n\n\n<p>Schauspiel Essen, Germany<\/p>\n\n<\/div><\/div><\/div>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>by machina eX<br \/>\nin co-production with<br \/>\nthe Schauspiel Essen<\/p>","protected":false},"template":"","categories":[11,3],"class_list":["post-52","projekte","type-projekte","status-publish","hentry","category-kunstlerische-leitung","category-regie"],"_links":{"self":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/projekte\/52","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/projekte"}],"about":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/types\/projekte"}],"wp:attachment":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/media?parent=52"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/categories?post=52"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}