{"id":12293,"date":"2024-02-23T10:41:05","date_gmt":"2024-02-23T10:41:05","guid":{"rendered":"https:\/\/yvesregenass.ch\/?page_id=12293"},"modified":"2026-04-12T08:16:06","modified_gmt":"2026-04-12T08:16:06","slug":"cv","status":"publish","type":"page","link":"https:\/\/yvesregenass.ch\/en\/cv\/","title":{"rendered":"Previous"},"content":{"rendered":"<div class=\"gb-container gb-container-1a31ec3c CV\">\n\n<h1 class=\"wp-block-heading has-text-align-center\">Career &amp; Projects<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\"><\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Career<\/summary>\n<h2 class=\"wp-block-heading\">2024 \u2013 2025<\/h2>\n\n\n\n<p>Researcher at <a href=\"https:\/\/mlml.io\" data-type=\"link\" data-id=\"https:\/\/mlml.io\">metaLAB(at)Basel<\/a>, Institute Contemporary Design Practices (ICDP), HGK Basel FHNW<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">2024<\/h2>\n\n\n\n<p><a href=\"https:\/\/www.creativeclimateleadership.com\/alumni\/yves-regenass\/\" data-type=\"link\" data-id=\"https:\/\/www.creativeclimateleadership.com\/alumni\/yves-regenass\/\">Creative Climate Leadership Program Switzerland 2024<\/a> by JULIE&#039;S BICYCLE in partnership with Vert le Futur. Supported by the Cultural Foundation Pro Helvetia together with the Mercator Foundation Switzerland<\/p>\n\n\n\n<p class=\"has-text-align-left\">Artistic Director of the&nbsp;<a href=\"https:\/\/www.next-level.digital\">NEXT LEVEL<\/a>&nbsp;\u2013 Festival for games, interactive art and digital theater (March-September), Dortmund, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">2023 \u2013 2026<\/h2>\n\n\n\n<p class=\"has-text-align-left\">Expert for <a href=\"https:\/\/www.ag.ch\/de\/verwaltung\/bks\/kultur\/kulturfoerderung\/digiculture\/digiexperts?dc=d3524e57-08ff-46fb-87ec-84c1dc1e955f_de\" data-type=\"link\" data-id=\"https:\/\/www.ag.ch\/de\/verwaltung\/bks\/kultur\/kulturfoerderung\/digiculture\/digiexperts?dc=d3524e57-08ff-46fb-87ec-84c1dc1e955f_de\">DigiCulture<\/a> at the DEPARTMENT OF EDUCATION, CULTURE AND SPORT, Canton of Aargau, CH<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">2021 \u2013 2022<\/h2>\n\n\n\n<p class=\"has-text-align-left\">Digital dramaturgy at THEATER CHUR, CH (60%)<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">2013 \u2013 2017<\/h2>\n\n\n\n<p class=\"has-text-align-left\">Dramaturgy at ROXY BIRSFELDEN, CH (60%)<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">2010 \u2013 2021<\/h2>\n\n\n\n<p class=\"has-text-align-left\">Dramaturg, game designer, performer and director for the game and theater group MACHINA EX, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">2009 \u2013 2025<\/h2>\n\n\n\n<p class=\"has-text-align-left\">freelance performer, dramaturge, director, lecturer and curator<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2007 \u2013 2013<\/h2>\n\n\n\n<p>Study of \u201cCultural Studies and Aesthetic Practice\u201d at the STIFTUNG UNIVERSIT\u00c4T HILDESHEIM, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">2006 \u2013 2007<\/h2>\n\n\n\n<p class=\"has-text-align-left\">Freelance theater educator at THEATER BASEL, CH<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">2004 \u2013 2007<\/h2>\n\n\n\n<p class=\"has-text-align-left\">Primary school teacher at the PRIMARY SCHOOL OF FRENKENDORF, CH (60%)<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left\">2001 \u2013 2004<\/h2>\n\n\n\n<p class=\"has-text-align-left\">Primary teacher studies at the UNIVERSITY OF EDUCATION AND SOCIAL WORK OF BASEL AND BASELLAND, CH<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Completed Artistic Projects<\/summary>\n<h2 class=\"wp-block-heading\">2025<\/h2>\n\n\n\n<p>Research project AGENCY OF CHANGE: THE CALL. A TRANSCONTINENTAL GAME THEATER PERFORMANCE ON THE TOPICS NET ZERO AND CLIMATE JUSTICE by Yves Regenass<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>with the experts Lasse Marburg, Isa Mulder, Rucera Seethal, Mallika Taneja and Dawit Seto. Supported by the Expert Committee for Performing Arts BL\/BS and the Ernst G\u00f6hner Foundation<\/li>\n<\/ul>\n\n\n\n<p>Concept &amp; Direction: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/das-laktat\/\" data-type=\"link\" data-id=\"https:\/\/yvesregenass.ch\/de\/projekte\/das-laktat\/\">THE LACTATE<\/a>. A theatre-media installation for a smart trainer by Yves Regenass<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>as part of the &quot;Sportfest&quot; festival at Ballhaus Ost, Berlin<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2024<\/h2>\n\n\n\n<p>Residency scholarship RECONNECT with Leo Hofmann<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in the Villa CASTELEN, sponsored by cultural.bl and Augusta Raurica<\/li>\n<\/ul>\n\n\n\n<p>Curation and hosting of the conference <a href=\"https:\/\/blog.hslu.ch\/mied\/2024\/01\/16\/your-own-spaces-programme\/\">YOUR OWN SPACES: MULTIPERSPECTIVITY AND SPATIAL PRACTICES IN AUDIO\/VISUAL FORMS OF KNOWLEDGE PRODUCTION<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in connection with the research project \u201cMoving in Every Direction\u201d at the Lucerne University of Art, Design and Film<\/li>\n<\/ul>\n\n\n\n<p>Artistic collaboration: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/the-game\/\" data-type=\"projekte\" data-id=\"12587\">THE GAME<\/a> by Trickster-p<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in cooperation with the LAC Lugano Arte e Cultura and in collaboration with the Casa degli Artist Milano. Coproduction: Theater Chur, Theater Casino Zug, Theater Stadelhofen Zurich, ROXY Birsfelden, TAK Theater Liechtenstein and Triennale Milano Teatro<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2023<\/h2>\n\n\n\n<p>Dramaturgical consultation: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/die-dammerung-ein-theatraler-audiowalk-um-die-ruine-neu-schauenburg\/\" data-type=\"projekte\" data-id=\"12450\">TWILIGHT \u2013 A THEATRICAL AUDIO WALK<\/a> by Lukas Kubik and Basil Huwyler <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>a production of the association Atopos<\/li>\n<\/ul>\n\n\n\n<p>Research project <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/awaken-the-sleeping-giants\/\" data-type=\"projekte\" data-id=\"12455\">AWAKEN THE SLEEPING GIANTS<\/a> <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>by Trickster-p and the Sandbox Collective as part of Pro Helvetia\u2019s \u201cTo-gather\u201d program<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2022<\/h2>\n\n\n\n<p>Artistic collaboration: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/__trashed-4\/\" data-type=\"projekte\" data-id=\"12457\">EUTOPIA<\/a> by Trickster-p <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in cooperation with the LAC Lugano, the Theater Chur, the ROXY Birsfelden, the S\u00fcdpol Luzern, the TAK Theater Liechtenstein and the FOG Triennale Milano Performing Arts<\/li>\n<\/ul>\n\n\n\n<p>Curation and organization <a href=\"https:\/\/www.theaterchur.ch\/digidays-2\" data-type=\"link\" data-id=\"https:\/\/www.theaterchur.ch\/digidays-2\">DIGIDAYS FESTIVAL #2<\/a> <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Theater Chur<\/li>\n<\/ul>\n\n\n\n<p>Curation and organization <a href=\"https:\/\/www.theaterchur.ch\/digidays\" data-type=\"link\" data-id=\"https:\/\/www.theaterchur.ch\/digidays\">DIGIDAYS FESTIVAL #1<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Theater Chur<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2021<\/h2>\n\n\n\n<p>Artistic Direction: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/theatre-time-capsule-ein-partizipatives-theaterprojekt-als-hybrid-aus-workshop-performance-und-fest\/\" data-type=\"projekte\" data-id=\"12459\">THEATRE TIME CAPSULE<\/a>- A participatory theatre project as a hybrid of workshop, performance and festival by Yves Regenass <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in cooperation with the House of Electronic Arts Basel, the ROXY Birsfelden, the Theater im Bahnhof Graz, the WUK Vienna, the Theater Stadelhofen Zurich and the FFT D\u00fcsseldorf<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/songs-of-the-land\/\" data-type=\"projekte\" data-id=\"12458\">SONGS OF THE LAND<\/a> from the association baM&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Theater Chur<\/li>\n<\/ul>\n\n\n\n<p>Concept and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/bestimmt\/\" data-type=\"link\" data-id=\"https:\/\/yvesregenass.ch\/projekte\/bestimmt\/\">BESTIMMT \u2013 a participatory video performance for the classroom<\/a> from the Theater Kormoran<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in cooperation with various schools in Flensburg, Hamburg and Gr\u00e5sten (DK)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2020<\/h2>\n\n\n\n<p>Direction and artistic direction: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/homecoming\/\" data-type=\"projekte\" data-id=\"57\">HOMECOMING<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with HAU Berlin, FFT D\u00fcsseldorf and HELLERAU European Center for the Arts<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/lockdown\/\" data-type=\"projekte\" data-id=\"56\">LOCKDOWN<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the FFT D\u00fcsseldorf<\/li>\n<\/ul>\n\n\n\n<p>Artistic collaboration: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/a-book-is-a-book\/\" data-type=\"projekte\" data-id=\"55\">A BOOK IS A BOOK<\/a> by Trickster-p <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the LAC Lugano Arte e Cultura, the far\u00b0 Nyon, the Theater Chur, the ROXY Birsfelden, the TAK Theater Liechtenstein, BLICKWECHSEL \u2013 Festival at the Puppentheater Magdeburg and the FOG Triennale Milano Performing Arts<\/li>\n<\/ul>\n\n\n\n<p>Conception and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/you-never-dance-alone-partizipatives-internet-tanzprojekt\/\" data-type=\"projekte\" data-id=\"54\">YOU NEVER DANCE ALONE.<\/a>&nbsp;PARTICIPATORY INTERNET DANCE PROJECT from the Morphological Institute&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with Tanzhaus Z\u00fcrich<\/li>\n<\/ul>\n\n\n\n<p>Concept, direction and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/homeschooling-ballet\/\" data-type=\"projekte\" data-id=\"53\">HOMESCHOOLING BALLET<\/a> by Yves Regenass <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the Kaserne Basel<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2019<\/h2>\n\n\n\n<p>Direction and artistic direction: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/sign-here\/\" data-type=\"projekte\" data-id=\"52\">SIGN HERE<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in co-production with the Schauspiel Essen<\/li>\n<\/ul>\n\n\n\n<p>Direction and game design: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/patrol\/\" data-type=\"projekte\" data-id=\"51\">PATROL<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the HAU Hebbel am Ufer Berlin and the FFT D\u00fcsseldorf<\/li>\n<\/ul>\n\n\n\n<p>Direction and game design: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/rewire-leeds\/\" data-type=\"projekte\" data-id=\"50\">REWIRE LEEDS<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in co-production with the Transform Festival and the Leeds International Festival<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/mondkind\/\" data-type=\"projekte\" data-id=\"49\">MONDKIND<\/a> by DALANG &amp; Co. <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the GZ Buchegg (Zurich) and the Fabriktheater der rote Fabrik<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/lamore-ist-nicht-une-chose-for-everybody-loving-kills\/\" data-type=\"projekte\" data-id=\"48\">L&#039;AMORE IST NICHT UNE CHOSE FOR EVERYBODY (LOVING KILLS)<\/a> from Collectivo Treppenwitz <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with LuganoInScena, Teatro Foce Rassegna and Campo Teatrale Milano<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2018<\/h2>\n\n\n\n<p>Artistic collaboration: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/nettles\/\" data-type=\"projekte\" data-id=\"47\">NETTLES<\/a> by Trickster-p <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the Teatro Sociale Bellinzona, the Theater Chur, ROXY Birsfelden, AK Theater Liechtenstein and the FOG Triennale Milano Performing Arts&nbsp;<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy and Game Design: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/disaster\/\" data-type=\"projekte\" data-id=\"46\">DISASTER<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the HAU Hebbel am Ufer Berlin, the FFT D\u00fcsseldorf and the ROXY Birsfelden<\/li>\n<\/ul>\n\n\n\n<p>Performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/missionen-der-schonheit\/\" data-type=\"projekte\" data-id=\"45\">MISSIONEN DER SCH\u00d6NHEIT<\/a> by Salome Schneebeli and Heta Multanen <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the Schauspielhaus Z\u00fcrich<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2017<\/h2>\n\n\n\n<p>Performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/endgame\/\" data-type=\"projekte\" data-id=\"43\">ENDGAME<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the HAU Hebbel am Ufer, the Schauspielhaus Bochum, the M\u00fcnchner Kammerspiele, the FFT D\u00fcsseldorf, the Gessnerallee Zurich and the Staatstheater Darmstadt<\/li>\n<\/ul>\n\n\n\n<p>Conception and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/follow-the-white-rabbit\/\" data-type=\"projekte\" data-id=\"42\">FOLLOW THE WHITE RABBIT<\/a> by yuri500 <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the ROXY Birsfelden<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2016<\/h2>\n\n\n\n<p>Dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/enjoy-racisme\/\" data-type=\"projekte\" data-id=\"44\">ENJOY RACISM<\/a> by Thom Truong <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the Fabriktheater Rote Fabrik and the ROXY Birsfelden<\/li>\n<\/ul>\n\n\n\n<p>Artistic and Dramatic Direction: <a href=\"https:\/\/www.washingtonpost.com\/entertainment\/theater_dance\/the-audience-controls-the-action-in-happy-hour-and-yes-you-get-a-drink\/2016\/05\/17\/540830c0-1c4f-11e6-82c2-a7dcb313287d_story.html\" data-type=\"link\" data-id=\"https:\/\/www.washingtonpost.com\/entertainment\/theater_dance\/the-audience-controls-the-action-in-happy-hour-and-yes-you-get-a-drink\/2016\/05\/17\/540830c0-1c4f-11e6-82c2-a7dcb313287d_story.html\">HAPPY HOUR<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the Spooky Action Theatre and the Goethe Institute Washington<\/li>\n<\/ul>\n\n\n\n<p>Dance dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/viel-es\/\" data-type=\"projekte\" data-id=\"40\">VIEL.ES<\/a> by Bufo Makmal <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with ROXY Birsfelden<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy and Performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/geister-gaste-und-wilde-tiere\/\" data-type=\"projekte\" data-id=\"39\">GEISTER, G\u00c4STE UND WILDE TIERE<\/a> from the Morphological Institute<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with ROXY Birsfelden, Tanzhaus Z\u00fcrich and South Caucasus Dance and Experimental Festival<\/li>\n<\/ul>\n\n\n\n<p>Performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/auf-den-spuren-von-laban\/\" data-type=\"projekte\" data-id=\"38\">AUF DEN SPUREN VON LABAN<\/a> from the Morphological Institute <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with Z\u00fcrich tanzt<\/li>\n<\/ul>\n\n\n\n<p>Performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/dada-anders\/\" data-type=\"projekte\" data-id=\"37\">DADA, ANDERS<\/a> from the Morphological Institute <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with Haus Konstruktiv<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2015<\/h2>\n\n\n\n<p>Dramaturgy and Performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/islandersagas\/\" data-type=\"projekte\" data-id=\"36\">ISL\u00c4NDERSAGAS<\/a> by vorschlag:hammer and yuri500 <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with ROXY Birsfelden, CULTURESCAPES and Theater Chur<\/li>\n<\/ul>\n\n\n\n<p>Dance dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/doggy-stile\/\" data-type=\"projekte\" data-id=\"35\">DOGGY STYLE<\/a> by Joshua Monten <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the ROXY Birsfelden and the LOFFT Leipzig<\/li>\n<\/ul>\n\n\n\n<p>Dance dramaturgy: L&#039;OISEAU DE FEU _ DANSE INFERNALE by Kiriakos Hadjiioannou <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the ROXY Birsfelden<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2014<\/h2>\n\n\n\n<p>Dramaturgy and production: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/kingdom\/\" data-type=\"projekte\" data-id=\"33\">KINGDOM<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with Steirischer Herbst, Graz<\/li>\n<\/ul>\n\n\n\n<p>Artistic direction and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/s3ap\/\" data-type=\"projekte\" data-id=\"32\">S3AP<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the Festival Theater der Welt Mannheim (X-Firmen)<\/li>\n<\/ul>\n\n\n\n<p>Dance dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/all-es\/\" data-type=\"projekte\" data-id=\"31\">ALL.ES<\/a> by Bufo Makmal <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the ROXY Birsfelden and the Tanzhaus Z\u00fcrich<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy and Performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/heimatschauer-eine-art-landesausstellung\/\" data-type=\"projekte\" data-id=\"30\">HEIMATSCHAUER. EINE ART LANDESAUSSTELLUNG<\/a> from the Morphological Institute <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the ROXY Birsfelden<\/li>\n<\/ul>\n\n\n\n<p>Dance dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/le-sacre-du-printemps-suite-baloise\/\" data-type=\"projekte\" data-id=\"318\">LE SACRE DU PRINTEMPS \u2013 SUITE BALOISE<\/a> by Kiriakos Hadjiioannou <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the ROXY Birsfelden<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy and acting direction: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/blind-variation-3\/\" data-type=\"projekte\" data-id=\"29\">BLIND VARIATION #3<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Commissioned production by the Nationaltheater Mannheim in coproduction with zeitraumexit eV as part of the 17th International Schiller Days<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2013<\/h2>\n\n\n\n<p>Dramaturgy and Performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/hedge-knights\/\" data-type=\"projekte\" data-id=\"28\">HEDGE KNIGHTS<\/a> by machina eX<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in cooperation with HAU Berlin<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/rede-an-die-menschheit\/\" data-type=\"projekte\" data-id=\"27\">REDE AN DIE MENSCHHEIT<\/a> by yuri500 <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with Brennstoff Theatertage Basel<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/nostalgija-heimwehe-birsfelden\/\" data-type=\"projekte\" data-id=\"26\">NOSTALGIJA\/HEIMWEHE\/BIRSFELDEN<\/a> by Ivna \u017dic, Lea Letzel and Nata\u0161a Rajkovi\u0107 <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with CULTURESCAPES and the ROXY Birsfelden<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2012<\/h2>\n\n\n\n<p>Dramaturgy, game design and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/happy-hour\/\" data-type=\"projekte\" data-id=\"25\">HAPPY HOUR<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with Gessnerallee Zurich<\/li>\n<\/ul>\n\n\n\n<p>Dramaturgy, game design and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/wir-aber-erwachen\/\" data-type=\"projekte\" data-id=\"24\">WIR ABER ERWACHEN<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with HAU Hebbel am Ufer Berlin<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2011<\/h2>\n\n\n\n<p>Dramaturgy, game design and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/15000-gray\/\" data-type=\"projekte\" data-id=\"23\">15`000 GRAY<\/a> by machina eX<\/p>\n\n\n\n<p>Concept and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/mannheim-75\/\" data-type=\"projekte\" data-id=\"22\">MANNHEIM `75<\/a> by machina eX <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in co-production with the 16th Schiller Days (X-Apartments)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2010<\/h2>\n\n\n\n<p>Dramaturgy, game design and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/maurice\/\" data-type=\"projekte\" data-id=\"17\">MAURICE<\/a> by machina eX<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2009<\/h2>\n\n\n\n<p>Performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/abstracts-of-men\/\" data-type=\"projekte\" data-id=\"16\">ABSTRACTS OF MEN<\/a> from the Theater 11. August <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the Theaterhaus Hildesheim and the LOFFT Leipzig&nbsp;&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p>Conception and performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/wenn-raume-traume\/\" data-type=\"projekte\" data-id=\"12508\">WENN R\u00c4UME TR\u00c4UMEN<\/a> from the Theater Kormoran <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in coproduction with the city of Hildesheim<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2008<\/h2>\n\n\n\n<p>Performance: <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/how-deep-is-your-love\/\" data-type=\"link\" data-id=\"https:\/\/yvesregenass.ch\/de\/projekte\/how-deep-is-your-love\/\">HOW DEEP IS YOUR LOVE<\/a> by Anne S\u00fcster Andresen<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Creative Climate Leadership<br><\/summary>\n<h2 class=\"wp-block-heading\">03\/2025<\/h2>\n\n\n\n<p>Talk: <a href=\"https:\/\/juliesbicycle.com\/resource\/re-watch-conversations-on-creative-climate-leadership-launch-events\/?utm_source=Newsletter+Subscribers&amp;utm_campaign=8e0f085910-EMAIL_CAMPAIGN_2025_jb-april-2025&amp;utm_medium=email&amp;utm_term=0_-770d837f2e-194033127&amp;ct=t(EMAIL_CAMPAIGN_jb-april-2025)\">CONVERSATIONS ON CREATIVE CLIMATE LEADERSHIP: LAUNCH EVENT<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>With Yves Regenass, theatre artist (CCL Switzerland 2024), Bryony Anderson, designer, maker and creative director (CCL Australia 2024), Fairooz Tamimi, author and cultural strategist (CCL Sweden 2021). Directed by Zamzam Ibrahim.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">06-12\/2024<\/h2>\n\n\n\n<p>Project with Dorian Sari and Mateo Chac\u00f3n Pino <a href=\"https:\/\/www.creativeclimateleadership.com\/latest\/ccl-switzerland-seed-grant-recipients-announced\/\">CULTURE AND SUSTAINABILITY POLICY NETWORK SWITZERLAND<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>In cooperation with and supported by JULIE&#039;S BICYCLE, Vert le Futur, Stiftung Mercator and Pro Helvetia. With special thanks to Kaserne Basel.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">08\/2024<\/h2>\n\n\n\n<p>Organization and moderation of the event&nbsp;<a href=\"https:\/\/www.theaterfestival.ch\/de\/2024\/events\/t.stammtisch-special:-what-are-we-doing-theater-und-climate-action-in-basel\">WHAT ARE WE DOING? Theater and Climate Action in Basel<\/a>&nbsp;as part of the Theater Festival Basel<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in cooperation with Dorian Sari, t.Punkt Basel and the Kaserne Basel<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">03\/2024<\/h2>\n\n\n\n<p>Participation in <a href=\"https:\/\/www.creativeclimateleadership.com\/alumni\/yves-regenass\/\" data-type=\"link\" data-id=\"https:\/\/www.creativeclimateleadership.com\/alumni\/yves-regenass\/\">Creative Climate Leadership Program Switzerland 2024<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>by JULIE&#039;S BICYCLE in partnership with Vert le Futur. Supported by the Cultural Foundation Pro Helvetia together with the Mercator Foundation Switzerland<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Teaching, Lectures and Mentorships<\/summary>\n<h2 class=\"wp-block-heading\">04-05\/2025<\/h2>\n\n\n\n<p>Seminar: DIGITAL DRAMATURGY<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Bern University of the Arts<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">03\/2025<\/h2>\n\n\n\n<p>Seminar input: CURATING IMMERSIVE SPACES<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in the seminar IMMERSION, AESTHETICS AND SCENOSPHERE by Prof. Dr. Aylin Tschoepe, Institute Contemporary Design Practices ICDP, Interior Architecture and Scenography (BA) program<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">11\/2024<\/h2>\n\n\n\n<p>Panel discussions STAGEHOUSE OF THE FUTURE and DIGITAL DRAMATURGY<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the FOR REAL Festival, Ostend, BE<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">10\/2024<\/h2>\n\n\n\n<p>Conception and implementation of the hackathon&nbsp;<a href=\"https:\/\/performingarts.digital\/programm\/flood-the-zone-with-love-bots-fuer-schwierige-zeiten\">FLOOD THE ZONE WITH LOVE: BOTS FOR DIFFICULT TIMES<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in collaboration with Mirko Krejci for the PAD03 \u2013 Performing Arts &amp; Digitality Festival, Wiesbaden<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">09\/2024<\/h2>\n\n\n\n<p>Panel discussion DIGITAL AESTHETICS. AN EXTENSION with Inke Arns and Carla Streckwall <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at Hebbel am Ufer 2 as part of the Berlin Art Week 2024<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">04-06\/2024<\/h2>\n\n\n\n<p>Seminar PARTICIPATIVE STRATEGIES OF DIGITAL DRAMATURGIES<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the University of Hildesheim<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">05\/2023&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Workshop within the project CULTURE AND DIGITALIZATION <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Lucerne School of Art and Design<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">03\/2023&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Block seminar DIGITAL DRAMATURGY <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Bern University of the Arts<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">12\/2022&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Impulse seminar MA TP: DIGITAL DRAMATURGIES FOR THEATRE EDUCATION <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Department of Performing Arts and Film at the Zurich University of the Arts<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">10\/2022&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Keynote speech at the PAD02 performingarts.digital Festival <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in Darmstadt&nbsp;<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">09\/2022&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Seminar MA TP: REHEARSING SYSTEMS <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Department of Performing Arts and Film at the Zurich University of the Arts<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2021&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Mentoring for the master's project <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/karin-rose-smile-and-be-quiet\/\" data-type=\"projekte\" data-id=\"214\">SMILE AND BE QUIET<\/a> by Karin Rose <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Dimitri School Verscio&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p>Mentoring for the master's project <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/monsta-schule\/\" data-type=\"projekte\" data-id=\"83\">MONSTA SCHOOL<\/a> by Melisa Su Taskiran and Stephan Eberhard <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Bern University of the Arts&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p>Keynote INTERNAL PRODUCTION PROCESSES <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>as part of fairspect #4 at Gessnerallee Zurich<\/li>\n<\/ul>\n\n\n\n<p>Conception and implementation of the online lecture series INVESTIGATIONS<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Goethe-Institut Seoul, Korea<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">12\/2021&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Elective module MA TP: \u201cZZZZschhhhsss.\u201c DIGITALITY SHORT-CLOSES THEATER <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Department of Performing Arts and Film at the Zurich University of the Arts<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">11\/2021&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Keynote at the 1st Forum for Digital Transformation<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Augsburg State Theater<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">05\/2021&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Online Symposium at ON\/LIVE \u2013 THE THEATER OF DIGITAL NATIVES <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the FFT D\u00fcsseldorf<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">04\/2021&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Workshop as part of the series THE COMMONS <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the State University of Music and Performing Arts, Stuttgart <\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">01\/2021&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Book presentation LEARNING FROM THE LOCKDOWN <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Kaserne Basel<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2020<\/h2>\n\n\n\n<p>Mentorship <a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/prometheus-und-der-geruch\/\" data-type=\"projekte\" data-id=\"81\">PROMETHEUS AND THE SMELL<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>the apocalyptic dancers @ flausen+ young artists in residence, Galerie KUB, Leipzig<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">12\/2020&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Book presentation LEARNING FROM THE LOCKDOWN <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the FFT D\u00fcsseldorf, Central Library D\u00fcsseldorf <\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">10\/2020&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Block seminar PLAY ME! <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Bern University of the Arts<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">12\/2019&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Impulse seminar MA: PARTICIPATIVE SPACES <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the FHNW, University of Art and Design, Institute for Interior Design and Scenography<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">06\/2019&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Lecture as part of the AKADEMIE #1 of the Impulse Festival <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Ringlokschuppen, M\u00fclheim an der Ruhr <\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">03\/2019&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Keynote speech GAMING AND THEATER <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>for the course&nbsp;<em>Theater and Film Culture at Bavarian Schools<\/em>&nbsp;the Academy for Teacher Training and Personnel Management, Dillingen an der Donau <\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">03\/2019&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Block seminar THEATER KNOTS COMPUTER GAMES: DRAMATURGIES AND GAME DESIGN IN GAME THEATER <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Bern University of the Arts<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">02\/2019&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Seminar COMPUTER GAMES AS A BASIS FOR THEATRE EDUCATIONAL WORK <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Friedrich-Alexander University Erlangen-Nuremberg <\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">05\/2018&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Seminar WRITING APPLICATIONS <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>for the CAS course in cultural mediation for the association Kuverum<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">01\/2018&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>MA Module Directing THEATER IS FRENCH KISSING COMPUTER GAMES: DRAMATURGIES AND GAME DESIGN IN GAME THEATER <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Zurich University of the Arts<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">12\/2016<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/h2>\n\n\n\n<p>Seminar COMPUTER GAMES IN THE PERFORMING ARTS <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the German Seminar of the Leibniz University Hannover <\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">02\/2014<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/h2>\n\n\n\n<p>Lecture GAMES AS THEATER FORMATS <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Teacher Training College of the University of Applied Sciences North-West Switzerland<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2013-2019<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/h2>\n\n\n\n<p>Seminars and qualification series on the topic of GAME DESIGN IN THEATER<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Federal Academy for Cultural Education, Wolfenb\u00fcttel&nbsp;<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2011<\/h2>\n\n\n\n<p>Conception and co-leadership of the workshop THE CLIMATE IS CHANGING of the international academy for pupils in grades 7-10 together with Dr. Edda Holl and Renate B\u00fcge<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in Bad Bederkesa <\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2008-2009<\/h2>\n\n\n\n<p>Teaching for the University of Hildesheim and workshops for the project <a href=\"https:\/\/www.uni-hildesheim.de\/neuigkeiten\/sprach-fluss\/\" data-type=\"link\" data-id=\"https:\/\/www.uni-hildesheim.de\/neuigkeiten\/sprach-fluss\/\">FLOW OF LANGUAGE<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in Kampala (UG), Johannesburg (ZA), Hildesheim (D) and Berlin (D)<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Scientific Projects<\/summary>\n<h2 class=\"wp-block-heading\">Since 2024<\/h2>\n\n\n\n<p>Researcher with the project AGENCY OF CHANGE: THE CALL at <a href=\"https:\/\/mlml.io\/m\/yves-regenass\/\" data-type=\"link\" data-id=\"https:\/\/mlml.io\/m\/yves-regenass\/\">metaLAB(at)Basel<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2024<\/h2>\n\n\n\n<p>Scientific support of the project <a href=\"https:\/\/mlml.io\/p\/spatial-affairs\/\" data-type=\"link\" data-id=\"https:\/\/mlml.io\/p\/spatial-affairs\/\">SPATIAL AFFAIRS<\/a> <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in collaboration with the House of Electronic Arts (Basel), Tabakalera (San Sebastian, ES), Museum for Arts and Photography (Bangalore, IND), iART (Basel) and metaLAB(at)Basel<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2022&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Consulting for the SNSF Research Project MOVING IN EVERY DIRECTION <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>at the Lucerne School of Art and Design<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2013&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Diploma thesis at the University of Hildesheim, Performance Studies: &quot;`But they can dance&#039;. Transculturality in contemporary dance. A comparative analysis&quot; <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Supervision by Prof. Dr. Mieke Matzke, overall grade: 1.0<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2011&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Pre-diploma thesis at the University of Hildesheim, Performance Studies: \u201cThe power of looking at the other: postcoloniality and theatre using the example of staging&nbsp;<em>Exhibit A: German Southwest Africa<\/em>&nbsp;by Brett Bailey&quot; <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Supervision by Prof. Dr. Mieke Matzke, overall grade: 1.0<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Awards<\/summary>\n<h2 class=\"wp-block-heading\">2019 <\/h2>\n\n\n\n<p>Tabori Prize <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>with machina eX<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"> 2016 <\/h2>\n\n\n\n<p>Best Direction of Plays in Professional Theater in Washington DC, Maryland and Virginia<\/p>\n\n\n\n<p>Migros-Kulturprozent-award in the category Digital Art<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>with machina eX<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2013 <\/h2>\n\n\n\n<p>Audience Award Brennstoff Theatertage Basel<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>for the piece SPEECH TO HUMANITY by yuri500<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2012 <\/h2>\n\n\n\n<p>Jury Prize BEST OFF Lower Saxony<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>for the piece 15&#039;000 GRAY by machina eX<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2010 <\/h2>\n\n\n\n<p>Jury Prize 100\u00b0 Festival, Berlin <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>for the piece 15&#039;000 GRAY by machina eX<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Jury Work <\/summary>\n<h2 class=\"wp-block-heading\">from 2026<\/h2>\n\n\n\n<p>Digital Arts: Idea generation and concept development for the city of Zurich<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2017 <\/h2>\n\n\n\n<p>Treibstoff Theatertage Basel <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2015-2017<\/h2>\n\n\n\n<p>PREMIO \u2013 Young Talent Award for Theater and Dance<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Publication and Press<\/summary>\n<h2 class=\"wp-block-heading\">2020&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p><a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/virtueller-raum-als-schutzzone\/\" data-type=\"projekte\" data-id=\"80\">VIRTUAL SPACE AS A PROTECTIVE ZONE<\/a> <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in Pfost, Haiko\/ Renfordt, Wilma\/Schreiber, Falk for the NRW KULTURsekretariat: Learning from the Lockdown? Reflections on Free Theater Alexander Verlag, Berlin.&nbsp;<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2018&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p><a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/digitales-theater-die-nutzung-des-virtuellen-raumes-in-der-schulischen-theaterpraxis\/\" data-type=\"projekte\" data-id=\"78\">DIGITAL THEATER<\/a>- The use of virtual space in school theatre practice<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in School Theatre: Spaces, Edition 33, Friedrich Verlag GmbH, Seelze.&nbsp;<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2012&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p><a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/die-zukunft-des-theaters\/\" data-type=\"projekte\" data-id=\"77\">THE FUTURE OF THEATER<\/a>. An email conversation by machina eX (here Yves Regenass, Laura Alisa Sch\u00e4ffer and Jan Philip Steimel) about object theatre, cultural hybrids and audience empowerment\u201d <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in Esch, Christian\/von Hartz, Matthias\/Stromberg, Tom (eds.): There is another way. Theater Festival Impulse 2007 to 2011, Verlag Theater der Zeit, Berlin.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2010&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p><a href=\"https:\/\/yvesregenass.ch\/en\/projekte\/facebook\/\" data-type=\"projekte\" data-id=\"75\">FACEBOOK<\/a> <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in Porombka, Stephan\/Mertens, Mathias (eds.): Status messages. Writing on Facebook, Blumenkamp Verlag, Salzhemmendorf.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2025<\/h2>\n\n\n\n<p>Joselewitsch, Natalja: <a href=\"https:\/\/www.deutschlandfunkkultur.de\/drama-und-schweiss-das-berliner-ballhaus-ost-veranstaltet-sportfest-festival-100.html\" data-type=\"link\" data-id=\"https:\/\/www.deutschlandfunkkultur.de\/drama-und-schweiss-das-berliner-ballhaus-ost-veranstaltet-sportfest-festival-100.html\">Drama and sweat: Berlin&#039;s Ballhaus Ost hosts sports festival<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Deutschlandfunk Kultur, June 7, 2025.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2022<\/h2>\n\n\n\n<p>S\u00f6ldi, Tobias: <a href=\"https:\/\/www.woz.ch\/2209\/theater\/vorhang-auf-fuer-telegram-und-virtual-reality\" data-type=\"link\" data-id=\"https:\/\/www.woz.ch\/2209\/theater\/vorhang-auf-fuer-telegram-und-virtual-reality\">Curtain up for Telegram and Virtual Reality<\/a> <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Weekly Newspaper, No. 9, March 3-9.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2021<\/h2>\n\n\n\n<p>Walser, Dagmar: <a href=\"https:\/\/www.srf.ch\/audio\/kontext\/digitalitaet-im-theater-es-geht-um-weit-mehr-als-um-bildschirme?id=12096320\" data-type=\"link\" data-id=\"https:\/\/www.srf.ch\/audio\/kontext\/digitalitaet-im-theater-es-geht-um-weit-mehr-als-um-bildschirme?id=12096320\">Digitality in the Theater:<\/a> &quot;It&#039;s about much more than screens&quot; <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>SRF, December 3rd.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2020<\/h2>\n\n\n\n<p>Jonah, Lara: <a href=\"https:\/\/kulturnews.de\/theater-trotz-corona-yves-regenass-machina-ex-lockdown-fft\/\" data-type=\"link\" data-id=\"https:\/\/kulturnews.de\/theater-trotz-corona-yves-regenass-machina-ex-lockdown-fft\/\">Theater despite Corona:<\/a> Yves Regenass from machina eX on \u201cLockdown\u201d <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>kulturnews, May 3rd.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2020<\/h2>\n\n\n\n<p>Enkeler, Christiane: <a href=\"https:\/\/www.riffreporter.de\/de\/gesellschaft\/telegram-theater\" data-type=\"link\" data-id=\"https:\/\/www.riffreporter.de\/de\/gesellschaft\/telegram-theater\">\u201cOur screens are hissing.\u201d<\/a> Dramaturg Yves Regenass in an interview about Telegram-Theater <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>riffreporter.de, May 11th.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2013<\/h2>\n\n\n\n<p>Tobler, Andreas: <a href=\"https:\/\/www.bernerzeitung.ch\/hier-kommt-die-buehne-ins-spiel-424141054051\" data-type=\"link\" data-id=\"https:\/\/www.bernerzeitung.ch\/hier-kommt-die-buehne-ins-spiel-424141054051\">This is where the stage comes into play<\/a> <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Berner Zeitung, April 26th.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2011<\/h2>\n\n\n\n<p>Lange, Isa: <a href=\"https:\/\/idw-online.de\/mobile\/de\/news455854\" data-type=\"link\" data-id=\"https:\/\/idw-online.de\/mobile\/de\/news455854\">city theater of the future <\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Idw \u2013 Science Information Service, December 12th.<\/li>\n<\/ul>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Scholarships<br><\/summary>\n<h2 class=\"wp-block-heading\">06\/2024&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>RECONNECT studio scholarship at Villa Clavel in Castelen near Augst<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>with Leo Hofmann<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2008-2012&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Minerva College  <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Excellence Grant from the Hildesheim University Foundation&nbsp;<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">2007-2013&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Scholarship from the Canton of Basel-Landschaft<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2007-2010&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Scholarship from the Handschin Foundation<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2007-2008&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p>Scholarship from the Alfred and Ilse Stammer-Meyer Foundation<\/p>\n<\/details>\n\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Career &amp; Projects<\/p>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-12293","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/pages\/12293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/comments?post=12293"}],"version-history":[{"count":159,"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/pages\/12293\/revisions"}],"predecessor-version":[{"id":12857,"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/pages\/12293\/revisions\/12857"}],"wp:attachment":[{"href":"https:\/\/yvesregenass.ch\/en\/wp-json\/wp\/v2\/media?parent=12293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}